Women Who Hit Very Hard — Dewey Nicks – Slide Show – NYTimes.com.

These New York Times photos of some of the top female tennis players go with a story emphasising the sheer power on display on the woman’s tour seem to have been generating a little buzz.  They’re apparently taken with a shiny new type of camera (whose predecessor Chase Jarvis raved about), which shoots in stonking high-def.   It’s clear to see that the technology of the camera and the photographs and film are stunning – they’re absolutely crystal.  But. Here’s the thing. I don’t like them as photographs or film clips.  And that’s probably because they *are*  so good.

For me, they showcase the thing I really really don’t like about some  women’s tennnis – the power, without anything else.    Not all women’s tennis, for sure, there is some artistry still there, if not as much as there was  – and oh, what I wouldn’t give to get to watch Hingis play Novotna again, or Henin for that matter, or the glory that was women’s doubles when Gigi Fernandez and Natasha Zvereva played, back when I would actively seek out women’s tennis over men’s – and this perspective sells Kim Clijsters, in particular (of the subjects on display here) short.  But it’s just power, and without any shot-making skill or artistry it’s just ugly and dull.   And that’s what these photos say to me.

I’m trying to finish up an article. I’ve been working with this text for most of the past four years (it’s one of four with which I am now familiar to the point of insanity). Writing it has now become, “Author X, yadda yadda yadda, blah, come on everyone knows this already, don’t they?”

I think I’m going to have to stick a poster up on the wall that reminds me that no, everyone has not been deconstructing this particular text for the past four years – in fact, most of them have been avoiding it since their Latin 101 course.  It’s just me who thinks this particular hat is older than my old school boater.

This is one of his shots of Duke Ellington. It is *stunning*

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BARTLET
[to Leo] I’m sleeping better. [beat] When I sleep, I dream about a great discussion
with experts and ideas and diction and energy and honesty. And when I wake up, I think,
“I can sell that.”

Just one of those times I wish The West Wing were really real.

If you didn’t want the Sondheim birthday prom last night, (a) what *were* you doing that was better, and (b) you have a treat in store. My highlights were the opening song, Bryn Terfel’s monstrously wonderful Sweeney Todd, A Funny Thing Happened on the Way to the Forum’s Everybody Ought to Have a Maid, and the beautiful Being Alive from Company.

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The deputy prime minister insisted he was speaking in a personal capacity, as a leading international lawyer warned that the statement by a government minister in such a formal setting could increase the chances of charges against Britain in international courts.

Shouldn’t we maybe consider whether it should consider the issues around things like the Iraq war. Courts get to aquit still, right? If Blair and Bush are sure that the Iraq war was right and legal, why shouldn’t they have the opportunity to convince an International Court of their views?
Why should the ICC just be for people “The Enlightened West” is already sure are war criminals?

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I think it might be time to subscribe to a DVD-mail-rental service, so I can catch up on all the films I’ve not yet seen (complete works of Preston Sturges here I come…) while I spend the next few months missing a large proportion of the films I might want to see, or waiting weeks for them to arrive. Yay, West Cornwall cinema-going.

I live within half an hour of four cinemas. They’re all owned by the same company. They are all around half an hour from each other (and people in this part of the world are generally used to driving places). Yet they are all showing the Exact Same films. You’d think they might put at least one different film on in each, to provide a bit of variety – especially allowing smaller, independent films to be seen by lunatics like me. It’s especially annoying as none of the films they’re showing are Four Lions, which I want to take my dad to see as I think he’d like it. It’s on in Falmouth (which is a student town), which is about 45 minutes away. So long, planet, I will be driving a lot this summer if I want to see good films, clearly.

What should shock about these appointments is not just the suspect opinions of Roberts and Ferguson, but the fact that the Tories have fundamentally misunderstood the entire purpose of history. History, properly taught, should lead young people to question and challenge their cultural inheritance rather than simply ‘celebrating’ it. “Studying the empire is important, because it is an international story, but we have to look at it from the perspective of those who were colonised as well as from the British perspective,” said historian and political biographer Dr Anthony Seldon, who is also Master of Wellington College. “We live in an interconnected world, and one has to balance learning about british history with learning about other cultures.

In this case the victors want a nice, uniting, united narrative of the past that is entirely anglo-centric.  So we’ll have to do the whole of late twentieth century historiography AGAIN, then? I’d say at least that’d mean I’d get a job, but it seems unlikely somehow.  I don’t much care for Niall Ferguson (and I positively dislike Andrew Roberts) – although I think it’s good that Ferguson’s two books on empire (British and American) are provocative, because I like provoking discussion among historians and think it’s a good thing, but lately he has come to embody the worst of the Superstar Historian (how can one teach effectively when one has jobs in two different countries and turns out books like they’re cupcakes?), and I dislike his use of about a billion and one research assistants to do his legwork.  One or two, to check all your references are in order, fine, but I worry that he uses his to do the original research, completely ignoring the innate subjectivity of all historical research. 

Watching the ongoing negotiations to settle the hung parliament that was the result of the General Election has been really interesting. Not just because it’s been some kind of long-running political soap opera, but because it feels in a lot of ways like I’ve been watching my PhD thesis dance out of the Roman Republic and into modern political debate – and that’s simultaneously very exciting and quite terrifying.   For those that don’t know, I work on the political and constitutional history of the Roman Republic and my thesis proposed the idea that the unwritten constitution of the Roman Republic wasn’t locked down but evolved and changed through what was said about it, the interpretations that were presented and (ultimately) accepted at Rome.   I’m not going to go into the gory details of that here, since I’m working out how I want to get the thing published (I’m plotting for a book, but that’ll take a few years work, so there’s a potential article too, possibly) – but suffice it to say that the theoretical stuff started with Foucault’s arguments about the way that knowledge is formed through discourse, and picked up ideas about the negotiation of ideology and on the reproduction of social structures, and ending up somewhere near Sunstein’s argument that all constitutions are developed and implemented through a process of interpretation.   Basically, the argument is that a society’s understanding of their unwritten constitution emerges through what is said about it – in politics, in the media, in pretty much every possible space where discourse takes place (though the knowledge builds up in a very complex way, obviously).  Now, I deal with this idea in the Roman Republic – but obviously one of the points of working with theory is to think about a broader applicability.   And I think you can see some of this, with various interpretations of the constitution, taking place in the public discourse about the British constitution over the last week as our MPs have been negotiating a new government and the media has been commentating on it, and we’ve all been responding to it (a lot my interest in this has spun of the responses to some of this discourse on Twitter).  

So if we’re serious about making British government work and keep the British constitution functioning, then it’s probably worth thinking about the main issues and tropes in the discourse and how they’re being talked about as we try and work out where we go next. Otherwise the constitution’s going to change without us really being involved, and we might not like where it ends up – we might not like where it’s ended up right now.  What follows are some of my ideas about some of the main strands of discourse that have come up a lot in the last week – the phrases ‘Unelected Prime Minister’, ‘Vote X, get Y’, ‘Behind Closed Doors’, plus Hung Parliaments, Electoral Reform and Fixed-Term Parliaments.  As a disclaimer first, I am not by any means any kind of expert in the British Constitution (I just ordered a few books to help me improve my knowledge, but I managed to send them to the address where I can only pick them up in six weeks, and not the one I’ll be at in three weeks, which says something about the chaos of my brain in the last few days). 

The Election That Wouldn’t End (or the Electiopocalypse) has been good for something. Whilst listening to and watching the long-running coverage on Thursday and Friday I finally finished off my photobook from my California trip. Woot.

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