To start with a random aside. One of the problems with Peter Mandelson’s Digital Economy Bill (other than the widely reported facts of it not being workable, or in any way in touch with the modern world, and if you want a really good explanation of why, you should read Hannah Nicklin’s open letter to the man himself) is that it’s hard to say that it’s a deeply stupid idea, without actually admitting that you’ve broken it, and that puts you in an interesting legal position. Incidentally, does anyone know if this bill is going to be retroactive?
Anyway, the point of this is that without the internet and friends sending me music I’ve not heard by artists I’ve never heard of, I would never have heard of the French Countertenor Philippe Jaroussky. And that would mean that his record company wouldn’t have made the money that they have off me for the two albums I’ve bought so far and the future albums I intend to buy in a month when Christmas isn’t imminent, and whoever makes money off concerts wouldn’t have made money off me buying a ticket to go see him at the Kölner Philharmonie, and no one would make money from me buying his albums to give to people for Christmas/birthdays. I would almost certainly not have thought to pick up an album of Castrati songs by a singer I’d never heard of. The only other way I might have come across it would have been if Jaroussky had been performing at the Proms and I’d happened to hear that particular concert on the radio or on iPlayer. And then not only would people be losing out on making money off me, I would be missing out on some seriously gorgeous music.
On Thursday Philippe Jaroussky was performing Handel and J.C. Bach, with Nicolau de Figueiredo on Harpsichord and the Concerto Köln. It was beautiful. Gorgeous music, and such an engaging performance. I’m normally fairly rubbish at sitting in a concert hall listening to a performance without fidgeting, but I was pretty much entranced. He performed about four or five encores – after each round of applause people left the auditorium and then missed out on another song. It was wonderful. Can I have a tardis and go back in time to go hear it all again?
So music business, I hope you enjoy the money I have and shall continue to give you in order for me to carry on enjoying the work of Philippe Jaroussky, but please don’t forget, you’re only getting it because I was able to try it first to see if I liked it.
